The Life in My Years

An anthology of life

This week, Tina Schell of Travels and Trifles hosts the Lens-Artists Challenge and the topic is opposites.

There are two possible takes on this topic. I would like to say that I could offer a selection of photos showing opposites in the same image. And maybe I have some of those. Certainly a personal challenge for the future.

And so I’m going with what is for me the path of least resistance; pairs of images at opposing poles.

Sweet and pungent

The two photos below were taken at the Marche Jean Talon in Montreal.         

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A chapter in an occasional series of posts documenting a Spring 2021 road trip.

Continued from the post, Route 66: Diners, Twin Arrows And Trading Posts, (link here).

The van rocks and bumps as it grinds out of the dirt lot near Twin Arrows, Arizona. Lexi, my canine backseat driver is standing behind me, peering over my shoulder as we get back on Highway 40. She shifts glances between me and whatever we happen to be passing, tail swishing, nose twitching.

While Cora’s back at the motel, sleeping in, Lex and I are eastbound, on the way to Two Guns.

If you’re at highway speed and looking for it, Two Guns isn’t hard to miss. Unaware of the old stone ruins, though, they might flash briefly in the corner of your eye as an apparition from an era long past. You think to yourself, ‘What in the hell was that?’

It’s a momentary presence that flashes back to a scene from an old western; the climactic gunfight in the ruins of an old Southwestern town.

You might double back to confirm that what you thought you saw was what you really saw.

Highway exits? They’re like doors that lead to rooms off the main hallway. Exit signs convey the basics of what’s behind those doors. They tell you if there’s food: if there’s lodging; if there’s a gas station.

What exit signs don’t reveal are the sights, the stories and the lore locked in some of those rooms. Sometimes you just have to speculate whether or not there’s something worthwhile beyond the door.

But isn’t that the essence of a road trip? You see an exit sign, steal a glance off the highway and in the quickly waning moments before you’ve passed the exit, you either veer off or go on. In the case of the former you might stumble onto a rare find.

The latter? You’ll never know, will you.

In most cases you do pass by and press on. But the name Two Guns is compelling, a little bit mysterious, and very much Wild West. Hard to resist the urge.

The exit sign is simple.
Exit 230
Two Guns

Nothing else. Nothing hints of the tales of Two Guns.

The recent history of Two Guns (recent being 1920) is a version of the usual story of someone trying to make a go of it along the course of once popular Route 66 in the barren Southwest. Just another rendition of the many narratives that stretch from Oklahoma to the Pacific Ocean; of dreams, plans, success, failure and a final surrender to the onslaught of progress.

That’s the unspectacular. The rest?

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This week’s Lens Artists Challenge, selected by Sofia is Urban Environments (click on the link for Sofia’s take and other takes on Urban Environments).

Urban environments?

Well you’ve got your New York; your Boston; your Montreal; your Las Vegas; and your Los Angeles. All swell towns in their own right, and I’ve been to ‘em all..

But…

Give me San Francisco. And don’t call it Frisco, and really don’t call it San Fran.

There’s three routes in, and two of those require a bridge. The Bay Bridge enters The City from the East Bay.                                   

The Bay Bridge dumps you into downtown and the high rise canyon.

View up Sacramento Street from Embarcadero Center.

Embarcadero Center High Rise

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I’m a regular reader of the blog site, Anne the Vegan. Anne’s posts are usually about running or food but every now and again she writes eloquently about society; about events of the day; about justice and injustice.
This evening she published a piece which stems from public criticism of Eliza Fletcher’s decision to go for an early morning run by herself. Ms. Fletcher was abducted and murdered, and in some circles the finger of blame has been pointed at her for doing something that I, a white male, have done, and felt safe doing, for over fifty years.
As Anne points out in her piece, a flaw in our society holds women to a different standard. I can’t begin to understand or communicate the frustration and anger that women must feel, but Anne does so in a piece that is well written and powerful. Please scroll down to a link to Anne’s thought provoking piece. 

I went for a 7 mile run yesterday, per my marathon training plan. Did I think about safety? I always do. I can’t afford not to. I’m a woman. I also thought about the abduction and death of a female runner as I ran. And I ran alone. On a college campus. And I couldn’t […]

Why does society still blame the victim? — Anne the Vegan

“Sign, sign
Everywhere a sign
Blockin’ out the scenery
Breakin’ my mind
Do this, don’t do that
Can’t you read the sign?”
Songwriter: Les Emmerson
Released in 1970 by The Five Man Electrical Band.

The Monthly Monochrome for August celebrates the sign, one of the most excellent of photo subjects.

Why such high praise for the simple sign?

Why indeed.

When I want to take a picture of a sign, it doesn’t give me a ration of grief like my tweener grandchildren do. Unlike dogs and tweeners, signs don’t fidget in the middle of a shot – unless you count neon signs that blink or flicker. They don’t complain about having to pose or stand still. They don’t look at the photo and get all pissy because they didn’t smile or because they blinked (even the neon signs don’t complain when they’ve blinked). In fact, they don’t complain about anything.

A photo of a sign always has a story attached to it. Otherwise what’s the purpose in putting up a sign?

Signs can be clever; they can be funny or they can be off putting; they can be quirky; they can be attractive; they can be confusing and confounding, and they’re usually, but not always, informative.

Signs can be like people. And why not? After all, people make them. Signs come in various sizes, shapes and colors – just like people. Just like people they can make you happy or piss you off. They can have their own politics and religions.

A sign can be bossy and stern like your, “No Trespassing – Violators will Be Prosecuted” placard, or, a sign can be polite, such as “Please Clean Up After Your Dog.”

But enough of this palaver. Let’s get to the main event.

Green Bay, Wisconsin.
Attorney for John Barleycorn’s defense?

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“Most writers like to maintain some sort of anonymity.” ~ Sheryl Crow

Sheryl’s dead wrong if you’re a blogger trying to interact with readers. That interaction has been exceedingly difficult on WordPress lately.

“Anonymity is the calling card of the fearful and the courage of the cowardly.”
~ Beem Weeks

I don’t know about that Mr. Weeks, but starting in this month of August, anonymity has been the blogger’s vexation. For me it  began on August 10th when I noticed a comment on one of my photo blogs. The commenter wrote, “Great great GREAT monochromes. You are a master.” It was signed “anonymous” but the wording of the comment told me that the writer was a gentleman who has often commented on my photo blogs.

Shortly thereafter, my posts were being inundated by “anonymous” commenters and like the gentleman mentioned above, the wording of many of these anonymous comments seemed to hint at regular, known commenters.

Over the past weekend, I contacted two bloggers via email and found that they were having the same issue. One of the bloggers had contacted Jetpack, and she was told that she must’ve changed her settings (she hadn’t).

Two days ago (August 22nd), I contacted the WordPress help desk, described the problem and offered the suggestion that they actually look into the problem and not provide a “canned” explanation such as, ‘the commenter might not have been logged in”.

(Note: You should not appear as “anonymous” if you are a WP blogger and you are signed into your WP account. If you are not signed in you will indeed appear as “anonymous.”). Continue reading

A chapter in an occasional series of posts documenting a Spring 2021 road trip.


Today in America time is money and very few have time and money to call their own. If you work, the chances are that work won’t bless you with the time or the money to take the great American road trip. Whether by personal choice or the pressures of life, the destination has become the ambition and the journey an impediment. Indeed, the road trip is becoming a lost piece of the American jigsaw puzzle. ~ The author.

“The best travel throws sameness aside for a spell and seeks reprieve from the monotony of undeviation and bends the straight lines of our days into the thrill of unexpectation.” ~ Nathaniel Trenant in O America, by William Least Heat-Moon

May, 23rd, 2021. Flagstaff, Arizona.

The wind that’s followed us for days has finally blown itself out or, as my dad used to say, “blown this town,” whipping somewhere east where it can torment travelers in New Mexico and Texas.

It’s early morning, I’m up, Cora’s still asleep, and Lexi is bouncing around the room wanting to go out. She’s telling me that there’s adventures out there to be found.

It’s the usual routine every morning since we left home; I search around a dark room for my clothes, while trying to keep Lexi quiet, and then once I’ve collected everything I get dressed in the light of the bathroom, still trying to keep Lexi quiet.

Getting myself together in the dark is a much easier proposition than keeping Lexi quiet. Gordon Setters have their own canine language which consists of various tones, lengths and decibels of “rooo – rooo” and Lexi is talkative, every – damn – morning. Once I’ve got it together I gather my camera, leash up Lexi and we’re off.

After Lexi has taken care of business we take a drive, looking for things that we don’t know are out there.

Where?

Out there.

There?

What’s there?

Who knows, let’s find out.

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Anne Chandler leads this week’s Lens Artists Challenge and she asks the burning question, “What’s your photographic groove?” (Please visit Anne’s website, Slow Shutter Speed, for her take and those of others).

Grooves? I’ve had more grooves than a 33 RPM album.

I’ve done macro, landscape, reflections, sports, oceans and other assorted bodies of water grooves. There’ve been clouds, bugs, railroads, old barns, broken down cars and brand new skyscrapers.

And now?

Well, now I’m grooving on monochrome, incorporating some of the old passions and adding others, most notably cemeteries – or more accurately, graveyards. For an explanation of the difference between a cemetery and a graveyard, go back two months to one of my previous posts.

I rarely shoot in black and white, preferring instead to shoot in color and then edit into monochrome. A color image can always be converted to black and white but the converse is not possible. As Emeril once said, “You can always add, you can’t take away.” Remember that the next time you have a jar of cayenne pepper in your hand.

Why black and white?

Because it lends itself to some of the moods I’m drawn to; the old, the forgotten, the decrepit, the desolate and the dreary. Yeah, I’m the life of the party. Old Edgar Allen Poe has nothing on me.

Some of the images in this post have appeared in previous posts.

Desolation
A road trip through the American Southwest can deliver you to places lonely and forsaken.

Below: Part of what’s left of the old mining town of Goffs, California in the Mojave Desert.

Goffs, California

Below: In Grants, New Mexico there’s no service at Charlie’s Radiator Service.

Can color properly convey the devastation wrought by a wildfire? Below: During the last leg of a 2021 road trip, we came upon the bleak remains of a forest in Northern California.

Roads
I love road trips and the main ingredient for a road trip is, well, a road – at least one. While a road passing beneath a canopy of autumn blazed trees begs for color, black and white serves a good road well, and a bad road even better. Continue reading

I love sports.

But I don’t often write about sports.

Maybe that’s because I don’t think my usual core of readers would be interested (That, even though I’ve told my friend Eden that I don’t really care what the fuck they like. I’ll write what I want and take what comes – or doesn’t come).

I love sports.

And sometimes I detest sports.

Why the dichotomy?

Because I’ve become a realist about sports, some might say a cynic and, in my most critical moments, some would call me a downright hater.

It wasn’t always this way. I used to think of sports as the great panacea, a nostrum for all the world’s problems. Athletics was, for me, that most pure form of human engagement. Sports was the classroom where the young could learn and hone values esteemed by society; dedication, hard work, perseverance, loyalty, leadership, patience, accountability and respect.

Hand two enemies a ball and they can become the best of friends.

I picked up those notions in my youth and carried them through to my early thirties.

And then I was struck – hard – by the reality of the darker elements of sports.

It was a disappointing realization at first; not unlike learning that there’s no Santa Claus, or that the love of your life is banging your best friend. As disappointing as spending your last buck on a hot dog and getting it served to you with ketchup slathered all over it

And so, I found the past week’s top stories in sports to be an interesting confluence of the good and the bad, the elements that inspire and dishearten, and frankly, disgust.

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This week’s Lens Artist Challenge is led by Sarah of Travel With Me (link here) and she’s chosen a most prodigious challenge – three favorite photos.

How does one pick three favorite photos out of thousands? Okay, let’s be honest, how does one pick three favorites out of maybe a half a dozen. Most of my thousands are outright rejects. Then you winnow out the ones that are good but don’t qualify as favorites and what are you left with?.

I had just about decided to select three photos of four of my most favorite people – my grandchildren. Not because they’re really technically awesome photos but because I think my grandchildren are awesome. Call it, taking the easy way out.

And then I read Sarah’s loose, but certainly not mandatory guidelines which includes, “Choose three from different genres please, but those genres are up to you: macro, wildlife, street, landscape, architecture. Anything goes, but each must be an image you are proud of. Tell us a bit about each of your three photos please. Where you took it and when. Why you are pleased with it and have chosen it for this challenge.”

Well, that makes it all the more challenging.

Transamerica Pyramid
The photo below is of the Transamerica Pyramid in San Francisco. I shot this in color, looking straight up into a bright blue sky.

What I like about the photo is that it represents three relatively new phases in my photographic journey. Continue reading